The design of the Polish Exhibition of The XXI International Exhibition at the Triennale di Milano, 2016

project description

This exhibition references the exhibition grammar pio- neered by Oskar Hansen, Erberto Carboni and Wojciech Zamecznik, all of whom produced experimental exhibition projects in Milan in the mid 20th century. We relied on the role of the background of juxtaposition and of movement and choreography as they showcase the displayed objects on a framework structure forming a loop. Such a composition makes it possible to experience the show from two opposite perspectives via pragmatism and beauty, allowing for dual consideration for each object. The three-dimensional background delineates an “active-passive floor”- framing the space, it underscores the virtues of each object and affords an individual assessment through close up examination. When we take a step back and view the objects from afar, they work as a coherent profile, or a kind of spatial treatise on the subject of Polish design.

project facts

authors

Piękno i pragmatyzm | Pragmatyzm i piękno

2 kwietnia – 12 września 2016

Museo della Permanente

Via Turati, 34, 20100 Mediolan, Włochy

XXI Triennale International Exhibition 2016

21st Century. Design After Design

Organizator: Culture.pl

Kurator: Magdalena Kochanowska
Projekt ekspozycji: grupa architektoniczna CENTRALA Simone De Iacobis, Gosia Kuciewicz
Projekt identyfikacji wizualnej: Kuba Jezierski
Produkcja wystawy: Michał Nowakowski i Marta Piechocka-Nowakowski/ArtConnection

by project advancement
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